Mixing the whole piece
▶ Open in Aratu to hear the examples, change them and do the exercises
With several parts playing together, there is still the job of the person at the mixing desk: putting each instrument at the right volume, each in its place between the speakers, all of them in the same room. That is mixing.
Volume: who stands out
Each part has a volume, from 0 (silent) to 1. Drums that are too loud
hide the melody; turn them down:
tempo: 100
drums { hh = cc cc cc cc; bd = b - b -; sd = - s - s }
melody: keys.epiano
melody = | e4 g a g | e d c _ |
drums.volume = 0.5
melody.volume = 0.9Drag both knobs while the music plays, as if they were the faders on a mixing desk.
Pan: where each one sits
pan places the part between the speakers: -1 is all the way left, 1 all
the way right, 0 in the middle. Spreading the instruments to the sides
makes each one clearer:
tempo: 100
guitar: guitar.nylon
guitar { chords = | Am | F | C | G |; strum = D du -u du }
keys: keys.epiano
keys = | a4 _ c5 _ | a4 _ f4 _ | g4 _ e4 _ | d4 _ g4 _ |
guitar.pan = -0.6
keys.pan = 0.6Listen with headphones: the guitar on the left, the keys on the right. The bass and the bass drum usually stay in the middle.
The same room for everyone
Aratu's mix has a shared reverb, like the room the band plays in. Each
part's reverb.mix says how much of it goes into that room.
A number written with no part holds for every part. To put the whole piece in the room, one line is enough:
tempo: 90
melody: piano.grand
melody = | e4 g a g | e d c _ |
bass: bass.finger
bass = | c2 _ g1 _ | a1 _ f1 _ |
reverb.mix = 0.5A part can have its own value, which holds in place of the general one:
bass.reverb.mix = 0.1 makes the bass drier, closer to the listener.
Effects for everyone: all:
A chain written for all puts its effects on every part, after each part's
own effects:
tempo: 90
melody: keys.epiano -> tremolo
melody = | e4 g a g | e d c _ |
bass: bass.finger
bass = | c2 _ g1 _ | a1 _ f1 _ |
all: chorus -> delay
delay.mix = 0.2The melody goes through tremolo, chorus and delay; the bass through chorus
and delay. And delay.mix = 0.2, with no part, sets the delay of them all.
The master
Everything ends in one last channel, the master: the shared room, a
compressor that "glues" the parts together and a limiter that keeps the
sound from clipping. Its numbers start with master.:
tempo: 90
melody: piano.grand
melody = | e4 g a g | e d c _ |
reverb.mix = 0.5
master.reverb.decay = 4 s
master.glue.on = 1
master.limiter.ceiling = -1| Number | What it is |
|---|---|
master.reverb.decay |
how long the room rings after the note, in seconds |
master.reverb.size |
the size of the room, from 0 to 1 |
master.glue.on |
1 turns on the glue compressor |
master.gain |
the volume of everything, in dB |
master.limiter.ceiling |
the highest volume, from -12 to -0.3 dB |
Making room for the kick
In electronic music the bass drum leads, and the other parts make room for it: at each kick the pad's volume drops at once and comes back before the next one, and the whole track seems to breathe. In the studio that is called ducking, or sidechain. In Aratu it is one line:
tempo: 124
drums { bd = b b b b; hh = -c -c -c -c }
pad: synth.pad
pad = | a3+c4+e4 _ _ _ | f3+a3+c4 _ _ _ |
pad: duck by kickpad: duck by kick lowers the pad by 70% at each kick and brings it back
over one beat. Say how much and how fast: pad: duck by kick 50% over 1 eighth. After by comes the part or the line to make room for (drums,
bd), or a drum by its name, kick, snare or clap, whichever line
plays it.
Delete the line and listen: the pad stands still, on top of the kick. Put it back and the music pumps again.
In Portuguese it is pad: abaixa com o bumbo, in Spanish
pad: agacha con el bombo, and the studio's word, sidechain, works in
all three.
Exercises
Turn the drums down to 0.4, so the melody stands out.
drums { hh = cc cc cc cc; bd = b - b - }
melody = | e4 g a g |See an answer
drums { hh = cc cc cc cc; bd = b - b - }
melody = | e4 g a g |
drums.volume = 0.4Put the guitar on the left (-0.5) and the keys on the right (0.5).
guitar = | e3 _ g3 _ |
keys = | c5 _ e5 _ |See an answer
guitar = | e3 _ g3 _ |
keys = | c5 _ e5 _ |
guitar.pan = -0.5
keys.pan = 0.5Put the whole piece in the reverb, at 0.6, with a single line.
melody = | e4 g a g |
bass = | c2 _ g1 _ |See an answer
melody = | e4 g a g |
bass = | c2 _ g1 _ |
reverb.mix = 0.6Put a chorus on every part, with a single line.
melody: keys.epiano
melody = | e4 g a g |
bass: bass.finger
bass = | c2 _ g1 _ |See an answer
melody: keys.epiano
melody = | e4 g a g |
bass: bass.finger
bass = | c2 _ g1 _ |
all: chorusMake the master's room ring for 5 seconds.
melody = | e4 g a g |
reverb.mix = 0.5See an answer
melody = | e4 g a g |
reverb.mix = 0.5
master.reverb.decay = 5 sMake the pad duck by half (50%) at each kick.
drums { bd = b b b b }
pad = | c4+e4+g4 _ _ _ |See an answer
drums { bd = b b b b }
pad = | c4+e4+g4 _ _ _ |
pad: duck by kick 50%